Keys Patches
This is an approximation of the lead off of the 1977 track Showroom Dummies from the Trans-Europe Express album
Step record a chord m5 and m7 in poly tempo all the way down. Switch over to unison and let her go. All waveforms are interesting. Automating the delay Time is also cool and you already know what to do with the cutoff. Edit. Experiment with the other voices.
Great for bass sequences and arpeggiators. Vary the cutoff to intensify forward firepower.
by
¯\_(ツ)_/¯
on December 11, 2025
unstable lo-fi synth reminiscent of unrealized dreams and cigarettes. sounds great with some distortion. works best between 8' and 2'
by
¯\_(ツ)_/¯
on December 8, 2025
Sounds kinda like a cat going mweow. They sound hungry.
4 or 8 for octave. peak adds two angelic harmonic notes that get louder, more defined and more resonant at higher settings, i roll off a tiny bit to cut the harshness. reducing cutoff int raises the pitch of the harmonics. cutoff raises the pitch at higher settings on what feels like a more linear, forceful waveform. hold one sustained note as a bass/pedal tone and adjust the settings for melody. adding a movement sequence for those two knobs could be cool.
keep a bass tone goin and mess around in the upper register. timing is key
A simple Lead to recreate the sound of the famous italo dance song “ L’amour toujours” by Gigi Dagostino written in the early 2000.
Sounds like a plucky lead with short notes and a classic pad when sustained.
This is the lead from the Blade Runner opening track. It's played by Vangelis in E major with : E - F# - C# - B / E - F# - A - G# - F# - G# / B - C# - A# - F# - A - E. It sounds better with a chorus/reverb and no feedback ;)
Soft, slightly detuned saw pad. Beautiful with a nice reverb.
Vangelis' CS80 Patch Blade Runner Opening Theme. I think this is pretty close. D#, F, C.
Play with "VCF Cutoff, Peak 127" and "EG Sustain" for a Space Sound